In Mules and Men (1935), anthropologist, creative writer and Harlem Renaissance upstart Zora Neale Hurston relays the evocative folktale “Why the Sister in Black Works Hardest.” Fatigued after the work of Creation, God casts a massive bundle onto the earth. Intrigued by the mysterious object, a white Southern woman during the antebellum era asks her husband to retrieve it. Reluctant to tote the load himself, the master instructs a slave to fetch it.
Soon wearied of the task, the slave then commands his wife to shoulder the burden. She does so, excited at the prospect of exploring the contents. When she opens the package, however, what leaps out at her and Black women for all posterity is none other than hard work.