Jessica Stewart, My Modern Met
From 1915 to 1960, more than 5 million African Americans moved from the rural South to the North in a phenomena called the Great Migration. Seen as one of the most massive internal movements in United States history, it was an era that sparked the Harlem Renaissance and put Northerners to the test in facing their own stereotypes and racism.
Historians break the Great Migration into two periods, with a second wave coming after the Great Depression. Starting in 1940, it saw African Americans also branch out west to California, as well as continuing to stream into northern cities. Chicago was one such city, as an industrial hub with work opportunities in meatpacking and the railway. “I thought of coming to Chicago where I could get away from some of that racism and where I would have an opportunity to, well, do something with my talent,” pianist Eddie Boyd told Living Blue Magazine. “It wasn’t peaches and cream [in Chicago], man, but it was a hell of a lot better than down there where I was born.”
As new arrivals to the city, there was often tension with white ethnic groups long entrenched in Chicago’s fabric. Thus, African Americans became segregated into the southside, an area later called the “Black Belt.” Rather than dampen spirits, people rose up, making Southside Chicago into an urban capital of black America.
As a photographer for the Farm Security Administration, Edwin Rosskam was charged with documenting the migration. He arrived in 1941 and wandered the streets, shooting daily life in Southside Chicago. His images show black Chicagoans at work and play, children running in the streets, adults looking for housing, makeshift churches advertised—through his eyes we can follow the African American experience.
In 1965, the Smithsonian conducted an oral history with Rosskam and his wife Louise, also a photojournalist. Here he speaks about his three weeks documenting the black experience in Chicago with author Richard Wright, who had moved to the city from the South in 1927. Their work, featuring Wright’s prose and Rosskam’s photos, would be published in the book 12 Million Black Voices.
“We had a fascinating three weeks there. Dick Wright really knew that stuff cold; he knew where everybody was, and he knew everybody in the Negro world of Chicago. And I don’t know if many white men had the opportunity to see it the way we saw it. Man, that was an experience. We did everything from the undertaker to the gangster. There were a lot of people that we saw that we didn’t photograph, although we photographed some of them. One gangster we photographed didn’t seem to like it.”